THE BUSINESS OF WRITING
Basics of Proofreading and Editing
JA9-B01
1 Tuesday 6-9 p.m.
July 7
$39 W&B members / $43 general public
Instructor: Ruth E. Thaler-Carter
Learn the essentials of proofreading and editing, including marks and symbols, essential style manuals, using Microsoft Word and Adobe Acrobat as editing or proofreading tools, and working effectively with clients and colleagues, as well as a variety of resources. Ruth E. Thaler-Carter brings more than 25 years of experience as a freelance writer and editor to this essential nuts ‘n’ bolts class.


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Getting Started as a Freelance Writer
JA9-B02
1 Tuesday, 6-9 p.m.
August 4
$39 W&B members / $43 general public
Instructor: Ruth E. Thaler-Carter
You need more than writing skills and a computer to be a successful freelance writer. You also need business sense, knowledge of the market, and a firm grasp of the tricks of the trade, among other attributes. Ruth E. Thaler-Carter will share her 25-plus years of experience in this tough but highly rewarding arena, working from her booklet, Get Paid to Write! Getting Started as a Freelance Writer. Tips for editors and other editorial freelancers will be included.


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The Poetry Publishing Fast Track
JA9-B03
1 Saturday, 10 a.m. –noon
Aug. 1
$39 W&B members / $43 general public
Instructor: Gary Lehmann
Want to learn how to publish your poetry in American journals as well as overseas? Gary Lehmann, who has published hundreds of poems in journals all over the world will teach this one-day seminar to tell you his secrets. Detailed information will explain how to organize your desk for quick submissions, how to find web lists that will tell you when editors are open to new submissions, and what exactly to send each editor.


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Paths to Publication
JA9-B04
1 Saturday, 10 a.m.-1 p.m.
July 18
$39 W&B members / $43 general public
Instructor: Steven Huff
How does book publication really work? How should I approach a publisher? Should I look for an agent first? What about copyrights, permissions, and royalties? How will I know a good publisher if I see one? If I sign a contract, am I signing away all rights to my own work? Are there hidden pitfalls and problems that I have not yet imagined? How long does the whole process take from finished manuscript to seeing my work on a bookstore shelf? Should I consider self-publishing? Steven Huff brings his years of experience as a publisher to this class. There will also be advice for those who are just beginning to send their work to magazines.



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