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FictionAdvanced FictionJA9-F01
“Shut up and drive,” she said: A Dialogue WorkshopJA9-F02
Brick by Brick: Writing the Perfect SceneJA9-F03
Setting: Where to place your writingJA9-F04
Frankenstein’s Thunderbolt: Giving Life to Your CharactersJA9-F05
Beginning Story WritingJA9-F06
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The Book ThievesHosted by Writers & Books Younger Staff Members Book Kick-off, A Divided Poet: Robert Frost, North of Boston, and the Drama of Disappearance, by David Sanders.Thursday, Feb. 2, 7 p.m. First Fridays / Wide Open MicHosted by Norm Davis Beyond Reading: Blood DriveSaturday February 4, 9 a.m. -1 p.m. Beyond Reading: FilmMonday, February 6, 7 p.m. “How Do I Love Thee?” Romantic Love Poems Through the AgesTuesday, February 7, 7 p.m. Afternoon TeaWed., Feb. 8, 4:30 - 6 p.m. The Bertrand Russell SocietyHosted by Phil Ebersol
Click here for more February Events...
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| Writers & Books, Rochester's community literary center, inspires and instructs over 25,000 people each year through a wide array of offerings in nearly every literary genre. Believing that the written and spoken word are central to our lives and culture, Writers & Books celebrates, promotes and works to make them available to all. Writers & Books is located at 740 University Avenue, near Atlantic Avenue in the Neighborhood of the Arts. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||
This workshop is designed to help experienced writing students take their fiction to the next level. Character, plot, narration, dialogue, voice, theme, and everything else that goes into the best fiction will be discussed. Participants will have the opportunity to critique and be critiqued in a supportive atmosphere. Participants are expected to have some workshop experience or some practice at writing fiction.
Good dialogue makes characters in a story sound like real people talking, yet no on in real life talks like a character, even in the best novels. This seeming contradiction can be explained by examining the attributes of good dialogue. This workshop will offer a combination of lectures, readings, and exercises (mostly exercises) designed to help you write dialogue that both sounds good and moves your story forward.
Whether you write novels, short stories, scripts, or even flash fiction, the scene is the building block, the story within the story, the argument that supports your theme. . .in short, the brickwork of the story. The purpose of this class is to study and practice how to construct the perfect scene. We will review all the elements that belong to a scene (action, conflict, motivation, dialogue, setting, arc, beginning hook, ending hook, point-of-view, shot, beats, etc.), the way scene is cobbled together with exposition, and how longer works can be plotted prior to the writing process to insure that you have established an effective throughline that sustains interest, stays on message, and engages your audience.
Are you humming along with a writing project, but feel something is missing? Do you get stuck when trying to create strong settings? Oftentimes, setting can become forgotten or lost amongst characters and plots. But it plays a vital role in most published fiction and nonfiction. Here, learn how to create settings that move stories and essays along without turning into “flowery” additions. Bring your fiction or nonfiction, and through exercises and workshop, let’s work on building better settings that will create and evoke mood and tone while revealing new and exciting visuals to your readers.
Often your characters are a saladecomposé of body parts: your uncle Max’s torso with your brother’s head. Or maybe a combination of your third grade teacher and your sister-in-law. But now you have to do the truly miraculous: give those characters life. In this workshop we’ll talk about the character-driven story, techniques for giving character and life to people acting out the primary roles in your story, including those really tough personalities who are a bit unlike anyone you’ve ever really known. We’ll look at some eminently alive characters in stories by Flannery O’Connor and Alice Munro, and do a brief in-class writing exercise.
You’ve always wanted to write fiction but have not known where to begin. This class will examine the basic principles and techniques of fiction that everyone new to fiction writing needs to know: Point-of-view, dialogue, plotting, and character development. Learn to dig into your own cache of memories and experiences for story material, train your ear for authentic dialogue, and learn the mechanics of creating a scene.