Fiction
Flash Fiction: How to Write War and Peace in Three Paragraphs.
W12-F01
6 Mondays 6:30- 8:30 p.m.
Jan. 23 through Feb. 27
$115 W&B members / $120 general public
Instructor: Len Messineo
Flash fiction, alias micro-, skinny-, and postcard fiction, has increasingly taken hold in literary magazines. This class will analyze successful models of flash fiction and workshop your stories of less than 1000 words: our intent, to study how traditional storytelling tropes (plot, action, character, scene, dialogue, story arc, etc.) can be told elliptically in order to tell a big story in a small space. The larger part of the class will be dedicated to pointing out submission outlets and critiquing your stories to improve their publishability.
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Fiction: Rewriting
W12-F02
5 Thursdays, 6:30-8:30 p.m.
Feb. 2 through March 1
$97 W&B members / $101 general public
Instructor: Nina Alvarez
Sooner or later all fiction writers need to embrace the maxim that “All good writing is rewriting.” So here, finally, is a workshop on exactly that. In this class we will learn the top five problems that an editor will fix in a manuscript, what writers should be trying to accomplish in successive drafts. We’ll dive into our own manuscripts and rewrite, cut, and polish.
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Advanced Fiction Writing
W12-F03
8 Thursdays, 7-9 p.m.
Feb. 2 through Mar. 22
$175 W&B members / $180 general public
Instructor: Martin Naparsteck
This is an intensive workshop in which students will read and critique each other’s work under the guidance of a teacher who is an accomplished story writer, novelist, and critic. Students will be expected to have some experience writing fiction. This is an excellent chance to improve aspects such as character development, plot, theme, dialogue, and style.
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What Happens when You Step on a Cow Pie: Creating Authentic Details and Texture in Your Fiction
W12-F04
1 Saturday, 10 a.m. -1 p.m
March 10
$39 W&B members / $43 general public
Instructor: Steven Huff
There is vast difference between ordinary description and what might be called “luminous details,” those that draw readers so deep into the story that they forget to eat lunch. This one-meeting seminar will look at some samples of rich (but spare) storytelling texture, color, and aroma and we’ll talk about how these scenes work. During the second half, we’ll get our fingers in the mud. Students should bring some work to revise in an interactive workshop.
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